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	<link>http://www.deadog.com</link>
	<description>Record Collecting Resources</description>
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		<title>1099-K Software for Filing New IRS Form 1099-K</title>
		<link>http://www.deadog.com/98/1099-k-software-for-filing-new-irs-form-1099-k/</link>
		<comments>http://www.deadog.com/98/1099-k-software-for-filing-new-irs-form-1099-k/#comments</comments>
		<pubDate>Wed, 22 Feb 2012 18:13:05 +0000</pubDate>
		<dc:creator>deadog</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[1099K]]></category>
		<category><![CDATA[Filing]]></category>
		<category><![CDATA[Form]]></category>
		<category><![CDATA[Software]]></category>

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		<description><![CDATA[Madison, WI (PRWEB) November 06, 2011 Many businesses or merchants accept credit and debit cards to make a sale to a customer. Some businesses use Paypal or eBay who provide a service, as a third-party network, to process online sales. &#8230; <a href="http://www.deadog.com/98/1099-k-software-for-filing-new-irs-form-1099-k/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><img style="float:left;margin: 0 20px 10px 0;" src="http://ww1.prweb.com/prfiles/2011/09/15/8930856/gI_58677_AuthorizedEFileProviderLogo.jpg" /><br />
Madison, WI (PRWEB) November 06, 2011 </p>
<p> Many businesses or merchants accept credit and debit cards to make a sale to a customer.  Some businesses use Paypal or eBay who provide a service, as a third-party network, to process online sales. Starting in January of 2012, these payment settlement entities must annually report the total amount of credit and debit card transactions of individual merchants to the IRS and to the merchants themselves via the new IRS Form 1099-K.  If a merchant had a minimum of 200 transactions and $  20,000 or more in sales, then the payment settlement entity must fill out and submit IRS Form 1099-K. 1099-K software developed by 1099FIRE makes it easy to file IRS Tax Form 1099-K by paper or electronically.  Service bureau and mail house solutions are also available.</p>
<p>&#13;</p>
<p>Paper Filing, Electronic filing, Service Bureau&#8230;</p>
<p>&#13;</p>
<p>Form 1099-K can be filed by paper or electronically to the IRS. Our 1099-K software makes it easy to import data from Excel, print and electronically file IRS Form 1099-K quickly and easily, said Erich J. Ruth, Technical Support for 1099FIRE.  A sample Excel template can be found on the website 1099fire.com which will import into the 1099-K software or technical support can guide you through the process of importing by phone or email.</p>
<p>&#13;</p>
<p>Electronic reporting of information returns eliminates the need to submit paper documents to the IRS.  Electronically filed information may be submitted to the IRS 24 hours a day, 7 days a week.  Electronic filing of Form 1099-K is easy to do, said  Ruth and  The system is updated each year to reflect the format changes that are made by the IRS. 1099FIRE software creates original, replacement, corrected and test files in the format required by the IRS for electronic transmission. </p>
<p>&#13;</p>
<p>Filing information returns can be stressful. 1099FIRE can eliminate the stress of filing information returns by electronically filing in a timely manner and at an affordable price. 1099FIRE will beat any competitor price; attain a quote for any service from any competitor and 1099FIRE will provide same, if not more complete, service at a lower price.</p>
<p>&#13;</p>
<p>Visit the 1099FIRE website at http://www.1099fire.com to stay up-to-date with important news, tax deadlines and the latest in compliance information.  </p>
<p>&#13;</p>
<p>Electronically Deliver Copy B</p>
<p>&#13;</p>
<p>Printing, folding, stuffing, sealing and postage (44 cents) brings the overall cost of mailing Copy B to recipients to 78 cents or more per mailing, depending on how many mailings you are sending out.   There is a cheaper, quicker, easier and more effective way of sending out Copy B to recipients and that is to electronically deliver Copy B.  </p>
<p>&#13;</p>
<p>One way to reduce the cost of mailing is to electronically deliver the 1099 information return.  1099FIRE can import your data from Excel, convert each record to an individual PDF file and bulk upload each PDF to our secure server, said Erich Ruth, Technical Support for 1099FIRE.  Clients then receive an email notifying them of the tax form and a link where they can view and/or download the PDF file.  Electronically deliver eliminates the need to print and mail which in turn saves you time and money.</p>
<p>&#13;</p>
<p>Due Date&#8230;</p>
<p>&#13;</p>
<p>Furnish Copy B of this form to the payee by February 1.</p>
<p>&#13;</p>
<p>File Copy A of this form with the IRS by March 1. If you file electronically, the due date is March 31.</p>
<p>&#13;</p>
<p>About 1099FIRE:</p>
<p>&#13;</p>
<p>1099FIRE is dedicated to providing feature-rich 1099-K Software. Import, print and eFile 1099-K forms the quick and easy way!</p>
<p>&#13;</p>
<p>1099FIRE is a market-leading provider of information-reporting solutions and services for 1099, W-2 and 1042-S filers. 1099FIRE develops and markets a comprehensive range of products that enables any size business or institution to effectively comply with all 1099, W-2 and 1042-S filing requirements.</p>
<p>&#13;</p>
<p>Have 1099FIRE Service Bureau handle all of your printing/mailing and IRS filing needs &#8211; it&#8217;s secure, affordable and stress free!</p>
<p>&#13;</p>
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<p>Related <a href="http://www.deadog.com/category/uncategorized/">78 Record Price Guide Press Releases</a></p>
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		<title>A Voice Artist&#8217;s Guide To Voice Over Training</title>
		<link>http://www.deadog.com/92/a-voice-artists-guide-to-voice-over-training/</link>
		<comments>http://www.deadog.com/92/a-voice-artists-guide-to-voice-over-training/#comments</comments>
		<pubDate>Mon, 20 Feb 2012 16:48:00 +0000</pubDate>
		<dc:creator>deadog</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[voiceover training}]]></category>

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		<description><![CDATA[A voice actor essentially works harder than a Hollywood superstar. It’s real tough for him to convey feelings and emotions while reading, fully knowing that he will not be seen on the screen. The voice actor must be able to &#8230; <a href="http://www.deadog.com/92/a-voice-artists-guide-to-voice-over-training/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><span id="internal-source-marker_0.7772152652032673" style="text-align: -webkit-auto;"><span style="font-weight: normal; vertical-align: baseline; white-space: pre-wrap; font-family: arial; font-size: 15px;">A voice actor essentially works harder than a Hollywood superstar. It’s real tough for him to convey feelings and emotions while reading, fully knowing that he will not be seen on the screen. The voice actor must be able to empathize with the persona that he portrays and make sure that he breathes life into the script. It is in this realm where voice over training is necessary.</span><br />
<span style="font-weight: normal; vertical-align: baseline; white-space: pre-wrap; font-family: arial; font-size: 15px;"></span><br />
<span style="font-weight: normal; vertical-align: baseline; white-space: pre-wrap; font-family: arial; font-size: 15px;">Voice over training aids voice actors learn the craft and find gainful employment in a growing area. There are 1000s of cartoon and animated TV shows, web shows, TV/radio advertisements, web videos, and movies being made continually. Moreover, each movie/TV show has a cast of more than 20-30 characters. The prospects for a voice talent actually abound internationally.</span><br />
<span style="font-weight: normal; vertical-align: baseline; white-space: pre-wrap; font-family: arial; font-size: 15px;"></span><br />
<span style="font-weight: normal; vertical-align: baseline; white-space: pre-wrap; font-family: arial; font-size: 15px;">Basic skills needed to join a voice over training course</span><br />
<span style="font-weight: normal; vertical-align: baseline; white-space: pre-wrap; font-family: arial; font-size: 15px;"></span><br />
<span style="font-weight: normal; vertical-align: baseline; white-space: pre-wrap; font-family: arial; font-size: 15px;">Diction is one of the most vital tools of the trade. Perfect enunciation is required from the student, hence, it is necessary for him to go to speech classes to master his diction. Every voice over actor has two roles to fulfill &#8211; “lending voice” and “acting.” So, perfect diction is not enough to begin voice over training &#8211; the student must also enroll in an acting course prior to joining the voice over course.</span><br />
<span style="font-weight: normal; vertical-align: baseline; white-space: pre-wrap; font-family: arial; font-size: 15px;"></span><br />
<span style="font-weight: normal; vertical-align: baseline; white-space: pre-wrap; font-family: arial; font-size: 15px;">What’s taught in a voiceover training course</span><br />
<span style="font-weight: normal; vertical-align: baseline; white-space: pre-wrap; font-family: arial; font-size: 15px;"></span><br />
<span style="font-weight: normal; vertical-align: baseline; white-space: pre-wrap; font-family: arial; font-size: 15px;">The student learns how to evaluate and interpret commercial copy for announcer and real-person roles. Interpreting narrative copy, as well as technical copy, are learned as well. The course teaches the student how to proficiently coordinate mind, mouth and voice so that he can sound true to his character. The student also learns how to take direction.</span><br />
<span style="font-weight: normal; vertical-align: baseline; white-space: pre-wrap; font-family: arial; font-size: 15px;"></span><br />
<span style="font-weight: normal; vertical-align: baseline; white-space: pre-wrap; font-family: arial; font-size: 15px;">Reading, recording, play back, and listening are done over and over again in an excellent voice talent training course. This is done in order for students to get it correctly. Students warm-up and perform vocal exercises and learn techniques like timing, inflection, and articulation. They figure out how to maintain their voice health. When students are already half-way into the voice over training program, they become competent at using and adjusting pitch, tone, volume and delivery speed to meet the needs of numerous types of jobs.</span><br />
<span style="font-weight: normal; vertical-align: baseline; white-space: pre-wrap; font-family: arial; font-size: 15px;"></span><br />
<span style="font-weight: normal; vertical-align: baseline; white-space: pre-wrap; font-family: arial; font-size: 15px;">Once a student completes the training, he learns how to market his skills, tap proper contacts, and land <a href="http://www.voiceoverwork.org">voice over work</a>. The course instructors also help them create a voice over demo for their portfolio. A solid voice over training course gives students the opportunity to work in a real studio and fully grasp what they must and shouldn’t do in a sound booth and when behind the microphone.</span><br />
<span style="font-weight: normal; vertical-align: baseline; white-space: pre-wrap; font-family: arial; font-size: 15px;"></span><br />
<span style="font-weight: normal; vertical-align: baseline; white-space: pre-wrap; font-family: arial; font-size: 15px;">Selecting a voice over training program</span><br />
<span style="font-weight: normal; vertical-align: baseline; white-space: pre-wrap; font-family: arial; font-size: 15px;"></span><br />
<span style="font-weight: normal; vertical-align: baseline; white-space: pre-wrap; font-family: arial; font-size: 15px;">There are two facets to voice training. A commercial voice over course must be chosen by students who are interested in selling. Commercial voice talents are employed for selling. Several of the areas that require this type of voice overs are radio ads, TV advertisements, phone and other media features. Selling skills are also covered by a voice over course considering that all commercial voice overs sell a service or a product. This course does not cover acting skills. Students who are interested in showbiz must opt for a TV and movie voice over and dubbing course. Lip-synching is needed by such courses, hence, the voice over talent also needs to master acting skills.</span><br />
<span style="font-weight: normal; vertical-align: baseline; white-space: pre-wrap; font-family: arial; font-size: 15px;"></span><br />
<span style="font-weight: normal; vertical-align: baseline; white-space: pre-wrap; font-family: arial; font-size: 15px;">To end, all the world’s a stage and we must play a part. So, if you wish to play your part as a voice actor, enroll for a reputed voice actor training program and learn how to raise your voice.</span></span></p>
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		<title>Mobile Home Supplies Go Flat Rate Shipping</title>
		<link>http://www.deadog.com/97/mobile-home-supplies-go-flat-rate-shipping/</link>
		<comments>http://www.deadog.com/97/mobile-home-supplies-go-flat-rate-shipping/#comments</comments>
		<pubDate>Sun, 19 Feb 2012 13:07:27 +0000</pubDate>
		<dc:creator>deadog</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Flat]]></category>
		<category><![CDATA[Home]]></category>
		<category><![CDATA[Mobile]]></category>
		<category><![CDATA[Rate]]></category>
		<category><![CDATA[Shipping]]></category>
		<category><![CDATA[Supplies]]></category>

		<guid isPermaLink="false">http://www.deadog.com/97/mobile-home-supplies-go-flat-rate-shipping/</guid>
		<description><![CDATA[(PRWEB) November 21, 2011 As many small packages as you can imagine in one order, all ship for the low flat rate of $ 7 now at Complete Mobile Home Supply. &#13; The trend of better value for customers on &#8230; <a href="http://www.deadog.com/97/mobile-home-supplies-go-flat-rate-shipping/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><img style="float:left;margin: 0 20px 10px 0;" src="http://ww1.prweb.com/prfiles/2011/11/19/8980254/gI_96067_ship8832.jpg" /><br />
(PRWEB) November 21, 2011 </p>
<p> As many small packages as you can imagine in one order, all ship for the low flat rate of $  7 now at Complete Mobile Home Supply. </p>
<p>&#13;</p>
<p>The trend of better value for customers on shipping costs has spread to mobile home supplies. &#8220;People asked for easy-to-understand shipping, we&#8217;re giving it to them,&#8221; says store Director Jotham McCauley.  &#8220;We still provide individual freight quotes for items that go on 18-wheelers, but if it can go UPS, FedEx or USPS, customer expense tops out at seven dollars.&#8221;  Two or twenty bathroom faucets, or mobile home door locks for yourself or for your entire neighborhood, shipping is $  7.  </p>
<p>&#13;</p>
<p>Online shopping has seen various models for shipping expense &#8211; including free shipping, flat rate, live rate calculation based on zip code, and high per-item shipping charges.  It&#8217;s clear which end of the spectrum is better for consumers.  &#8220;The reason we went with flat rate instead of free,&#8221; explains McCauley, &#8220;is the low prices on so many of our stocked items mean that we would in fact lose money with free shipping.  Flat rate became the obvious choice to make costs clear to our customers, and ensure we&#8217;re still around to employ staff members and serve customers again in the future.&#8221;  </p>
<p>&#13;</p>
<p>Customers experience extraordinary turnaround time of orders from Complete.  The majority of items offered online are in-stock in the company warehouse and storefront.  The warehouse staff have refined the process of order-to-shipment so that most orders leave the next day, some even same day.  CompleteMH.com is the only place you can get mobile home skirting kits shipped so quickly, or vinyl shutters in dozens of colors and sizes. When a customer orders online, their order and packing list are in the warehouse within minutes.  Depending on the volume of orders from that morning and the night before, the most recent orders may even get packed up before the 3:00 pickup from UPS and 4:00 for USPS.  </p>
<p>&#13;</p>
<p>Especially on Mondays, when the weekend&#8217;s orders result in more products needing packed securely, the shipping department is a hive of activity. Bay doors open if it&#8217;s sunny, men locate mobile home parts, combine items with bubble wrap and packing list, tape up the box, and weigh the box for shipment.  The paper record of the order proceeds up to the office, where postage labels are accurately typed in.  Sticky labels are printed and brought back out to the boxes, where they&#8217;re applied based on order number and placed in the appropriate back for the carrier.  Tracking numbers are generated and emailed to customers, drivers show up on their shipping route, and on their way to your door the packages go. All this for only $  7! What a travel package.</p>
<p>&#13;</p>
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		<title>Major, Lindsey &amp; Africa Expands In-House Practice Group with Former Warner Bros In-House Counsel</title>
		<link>http://www.deadog.com/96/major-lindsey-africa-expands-in-house-practice-group-with-former-warner-bros-in-house-counsel/</link>
		<comments>http://www.deadog.com/96/major-lindsey-africa-expands-in-house-practice-group-with-former-warner-bros-in-house-counsel/#comments</comments>
		<pubDate>Thu, 16 Feb 2012 08:00:47 +0000</pubDate>
		<dc:creator>deadog</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Africa]]></category>
		<category><![CDATA[Bros]]></category>
		<category><![CDATA[Counsel]]></category>
		<category><![CDATA[Expands]]></category>
		<category><![CDATA[Former]]></category>
		<category><![CDATA[Group]]></category>
		<category><![CDATA[InHouse]]></category>
		<category><![CDATA[Lindsey]]></category>
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		<guid isPermaLink="false">http://www.deadog.com/96/major-lindsey-africa-expands-in-house-practice-group-with-former-warner-bros-in-house-counsel/</guid>
		<description><![CDATA[Hanover, Maryland (PRWEB) February 15, 2012 Major, Lindsey &#38; Africa (MLA), the worlds largest legal search firm, announced today the addition of Negin Mirmirani as a Director in its Los Angeles office. Mirmirani will focus on in-house placements for corporate &#8230; <a href="http://www.deadog.com/96/major-lindsey-africa-expands-in-house-practice-group-with-former-warner-bros-in-house-counsel/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><img style="float:left;margin: 0 20px 10px 0;" src="http://ww1.prweb.com/prfiles/2012/02/15/9201146/gI_78028_NMirmirani.Web.v2.jpg" /><br />
Hanover, Maryland (PRWEB) February 15, 2012 </p>
<p> Major, Lindsey &amp; Africa (MLA), the worlds largest legal search firm, announced today the addition of Negin Mirmirani as a Director in its Los Angeles office. Mirmirani will focus on in-house placements for corporate legal departments throughout Southern California.</p>
<p>&#13;</p>
<p>Prior to joining MLA, Mirmirani spent four years at Warner Bros as in-house counsel for its Studio Facilities division. There, she divided her time between corporate transactional law and labor relations. Mirmirani supported division heads in negotiation, drafting and administration of complex agreements in addition to working collaboratively with department managers and union officers. Mirmirani began her legal career at Loeb &amp; Loebs Los Angeles office, where she gained extensive litigation experience ranging from discovery and motion practice to arbitrations and trial. She specialized in defending companies with respect to claims of discrimination and harassment and defending brokers/dealers in arbitrations before the NASD. </p>
<p>&#13;</p>
<p>We are excited to have Negin join MLA, says Miriam Frank, Partner and Vice President, In-House Practice Group. Her experience as in-house counsel at a major international media studio and as a law firm associate will serve her clients and candidates extremely well.</p>
<p>&#13;</p>
<p>Mirmirani earned her law degree from the University of Southern California Gould School of Law. She received her bachelors degree in political science from the University of California, Los Angeles graduating cum laude.</p>
<p>&#13;</p>
<p>About Major, Lindsey &amp; Africa &#13;<br />
<br />Founded in 1982, Major, Lindsey &amp; Africa is the worlds largest and most experienced legal search firm. Combining local market knowledge and a global recruiting network, MLA has earned recognition for its track record of successful General Counsel, Corporate Counsel, Partner, Associate and Law Firm Management placements. With offices throughout the U.S., Hong Kong, London and Tokyo, MLA recruiters are dedicated to understanding and meeting clients and candidates needs while maintaining the highest degree of professionalism and confidentiality. MLA considers every search a diversity search and has been committed to diversity in the law since its inception. For these reasons, MLA was voted Best Legal Search Firm in the U.S. in the most recent national survey of Americas top law firms. To learn more about MLA, please visit our website at http://www.mlaglobal.com.   </p>
<p>&#13;</p>
<p>Contact for Major, Lindsey &amp; Africa:&#13;<br />
<br />Clare Brilliant&#13;<br />
<br />Marketing Manager &#13;<br />
<br />(415) 485-5121</p>
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		<title>A Voiceover Actor&#8217;s Guide To Voice Over Training</title>
		<link>http://www.deadog.com/93/a-voiceover-actors-guide-to-voice-over-training/</link>
		<comments>http://www.deadog.com/93/a-voiceover-actors-guide-to-voice-over-training/#comments</comments>
		<pubDate>Thu, 16 Feb 2012 01:16:00 +0000</pubDate>
		<dc:creator>deadog</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[voice over talent}]]></category>

		<guid isPermaLink="false">http://www.deadog.com/?p=93</guid>
		<description><![CDATA[A voice actor actually works harder than a Hollywood superstar. It is quite tough for a voice actor to put feelings and emotions to what he is reading, all the while knowing that he’s not seen on screen. The voice &#8230; <a href="http://www.deadog.com/93/a-voiceover-actors-guide-to-voice-over-training/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><span id="internal-source-marker_0.7772152652032673" style="text-align: -webkit-auto;"><span style="font-weight: normal; vertical-align: baseline; white-space: pre-wrap; font-family: arial; font-size: 15px;">A voice actor actually works harder than a Hollywood superstar. It is quite tough for a voice actor to put feelings and emotions to what he is reading, all the while knowing that he’s not seen on screen. The voice actor must be able to empathize with the character that he portrays and make sure that he breathes life into the script. This is where voice over training comes into play.</span><br />
<span style="font-weight: normal; vertical-align: baseline; white-space: pre-wrap; font-family: arial; font-size: 15px;"></span><br />
<span style="font-weight: normal; vertical-align: baseline; white-space: pre-wrap; font-family: arial; font-size: 15px;">Voice over artists are able to learn the craft of voice acting and find good employment in this field by undergoing voice over training. There are 1000s of cartoon and animated TV shows, web shows, TV/radio advertisements, web videos, and movies being made regularly. Take note that about 20 to 30 characters make up the cast of a single movie or TV show. There are global opportunities galore for a voice actor.</span><br />
<span style="font-weight: normal; vertical-align: baseline; white-space: pre-wrap; font-family: arial; font-size: 15px;"></span><br />
<span style="font-weight: normal; vertical-align: baseline; white-space: pre-wrap; font-family: arial; font-size: 15px;">Voice over training course &#8211; the fundamental skills that you ought to possess</span><br />
<span style="font-weight: normal; vertical-align: baseline; white-space: pre-wrap; font-family: arial; font-size: 15px;"></span><br />
<span style="font-weight: normal; vertical-align: baseline; white-space: pre-wrap; font-family: arial; font-size: 15px;">One of the most important tools of the trade is diction. The student must have perfect enunciation and therefore must attend speech classes to get his diction properly. A voice talent would always have two roles to perform &#8211; the “acting,” and the “lending voice.” This means that getting a perfect diction is not enough to be able to join a voice over training, enrolling in an acting course is also essential for the student.</span><br />
<span style="font-weight: normal; vertical-align: baseline; white-space: pre-wrap; font-family: arial; font-size: 15px;"></span><br />
<span style="font-weight: normal; vertical-align: baseline; white-space: pre-wrap; font-family: arial; font-size: 15px;">What does a voiceover training program teach?</span><br />
<span style="font-weight: normal; vertical-align: baseline; white-space: pre-wrap; font-family: arial; font-size: 15px;"></span><br />
<span style="font-weight: normal; vertical-align: baseline; white-space: pre-wrap; font-family: arial; font-size: 15px;">Analyzing and interpreting commercial copy for announcer and real-person roles are learned by the student. Interpreting narrative copy, as well as technical copy, are learned as well. The course educates the student how to proficiently coordinate mind, mouth and voice so that he can sound true to his character. The student also learns how to take direction.</span><br />
<span style="font-weight: normal; vertical-align: baseline; white-space: pre-wrap; font-family: arial; font-size: 15px;"></span><br />
<span style="font-weight: normal; vertical-align: baseline; white-space: pre-wrap; font-family: arial; font-size: 15px;">Reading, recording, play back, and listening are done over and over again in an excellent voice talent training course. This is done in order for students to get it right. Students learn techniques such as inflection, timing and articulation. They perform warm-ups and vocal exercises as well. They understand how to preserve their vocal health. When students are already half-way into the voice over training course, they become competent at using and adjusting pitch, tone, volume and delivery speed to cater to numerous types of jobs.</span><br />
<span style="font-weight: normal; vertical-align: baseline; white-space: pre-wrap; font-family: arial; font-size: 15px;"></span><br />
<span style="font-weight: normal; vertical-align: baseline; white-space: pre-wrap; font-family: arial; font-size: 15px;">Once a student completes the training, he learns how to market his skills, tap proper contacts, and land <a href="http://www.voiceoverwork.org">voice over work</a>. Instructors of the voice over course also assist them in creating a voice over demo, which would become part of their portfolio. A solid voice over training course gives students the opportunity to work in a real studio and fully grasp what they should and shouldn’t do in a sound booth and when behind the microphone.</span><br />
<span style="font-weight: normal; vertical-align: baseline; white-space: pre-wrap; font-family: arial; font-size: 15px;"></span><br />
<span style="font-weight: normal; vertical-align: baseline; white-space: pre-wrap; font-family: arial; font-size: 15px;">Choosing a voice over training program</span><br />
<span style="font-weight: normal; vertical-align: baseline; white-space: pre-wrap; font-family: arial; font-size: 15px;"></span><br />
<span style="font-weight: normal; vertical-align: baseline; white-space: pre-wrap; font-family: arial; font-size: 15px;">There are two aspects to voice training. Students who are attracted in selling must opt for a commercial voice over course. Commercial voice talents are used for selling. TV advertisements, radio ads, phone and other media feature these voice overs. Selling skills are also covered by a voice over course considering that all commercial voice overs sell a service or a product. This course does not cover acting skills. Students who are interested in showbiz must decide on a TV and movie voice over and dubbing program. Lip-synching is needed by such courses, hence, the voice over talent also needs to master acting skills.</span><br />
<span style="font-weight: normal; vertical-align: baseline; white-space: pre-wrap; font-family: arial; font-size: 15px;"></span><br />
<span style="font-weight: normal; vertical-align: baseline; white-space: pre-wrap; font-family: arial; font-size: 15px;">To conclude, all the world’s a stage and we must play a part. So, if you wish to play your part as a voice actor, enroll for a reputed voice actor training course and learn how to raise your voice.</span></span></p>
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		<item>
		<title>IMG_1675</title>
		<link>http://www.deadog.com/91/img_1675/</link>
		<comments>http://www.deadog.com/91/img_1675/#comments</comments>
		<pubDate>Mon, 13 Feb 2012 02:57:03 +0000</pubDate>
		<dc:creator>deadog</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[IMG_1675]]></category>

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		<description><![CDATA[Some cool Old Records Albums images: IMG_1675 Image by riotcitygirl IMG_1671 Image by riotcitygirl Trashed Records Image by Leoraul Downtown Orlando //]]></description>
			<content:encoded><![CDATA[<p>Some cool Old Records Albums images:</p>
<p><strong>IMG_1675</strong><br />
<img alt="Old Records Albums" src="http://farm3.staticflickr.com/2281/1501230330_6a6475d540.jpg" width="400"/><br/><br />
<i>Image by <a href="http://www.flickr.com/photos/87719467@N00/1501230330">riotcitygirl</a></i>
</p>
<p><strong>IMG_1671</strong><br />
<img alt="Old Records Albums" src="http://farm3.staticflickr.com/2400/1501225194_8e731cd18e.jpg" width="400"/><br/><br />
<i>Image by <a href="http://www.flickr.com/photos/87719467@N00/1501225194">riotcitygirl</a></i>
</p>
<p><strong>Trashed Records</strong><br />
<img alt="Old Records Albums" src="http://farm6.staticflickr.com/5095/5396900679_c76cd176b9.jpg" width="400"/><br/><br />
<i>Image by <a href="http://www.flickr.com/photos/34131424@N03/5396900679">Leoraul</a></i><br />
Downtown Orlando //</p>
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		<title>How To Get That Old School Vinyl/Record Player Sound (iZotope Vinyl)</title>
		<link>http://www.deadog.com/90/how-to-get-that-old-school-vinylrecord-player-sound-izotope-vinyl/</link>
		<comments>http://www.deadog.com/90/how-to-get-that-old-school-vinylrecord-player-sound-izotope-vinyl/#comments</comments>
		<pubDate>Thu, 09 Feb 2012 21:53:57 +0000</pubDate>
		<dc:creator>deadog</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[iZotope]]></category>
		<category><![CDATA[Player]]></category>
		<category><![CDATA[School]]></category>
		<category><![CDATA[Sound]]></category>
		<category><![CDATA[Vinyl]]></category>
		<category><![CDATA[Vinyl/Record]]></category>

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		<description><![CDATA[Here is a plug-in that will give you a wicked lo-fi weapon. iZotope Vinyl uses 64-bit processing and advanced filtering, modeling and resampling to create authentic &#8220;vinyl&#8221; simulation, as if the audio was a record being played on a record &#8230; <a href="http://www.deadog.com/90/how-to-get-that-old-school-vinylrecord-player-sound-izotope-vinyl/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>				<object width="425" height="355"><param name="movie" value="http://www.youtube.com/v/3lu7fT729A8?fs=1"></param><param name="allowFullScreen" value="true"></param>
				<embed src="http://www.youtube.com/v/3lu7fT729A8?fs=1&#038;rel=0" type="application/x-shockwave-flash" width="425" height="355" allowfullscreen="true"></embed></object></p>
<p>Here is a plug-in that will give you a wicked lo-fi weapon. iZotope Vinyl uses 64-bit processing and advanced filtering, modeling and resampling to create authentic &#8220;vinyl&#8221; simulation, as if the audio was a record being played on a record player. Download iZotope Vinyl Link Here: www.izotope.com
</p>
<p>				<object width="425" height="355"><param name="movie" value="http://www.youtube.com/v/xaJaGXUewes?fs=1"></param><param name="allowFullScreen" value="true"></param>
				<embed src="http://www.youtube.com/v/xaJaGXUewes?fs=1&#038;rel=0" type="application/x-shockwave-flash" width="425" height="355" allowfullscreen="true"></embed></object></p>
<p>In this episode of Oliart, Olivia shows you how to use an old vinyl record to make a great bowl or platter. Vinyl records can be melted into any shape. Check out this episode of Oliart to see how.</p>
]]></content:encoded>
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		<title>3º ENCONTRO DE DJ´S DE SOBRADINHO-DF E ENTORNO (CLUB DO VINIL BSB)</title>
		<link>http://www.deadog.com/89/3o-encontro-de-dj%c2%b4s-de-sobradinho-df-e-entorno-club-do-vinil-bsb/</link>
		<comments>http://www.deadog.com/89/3o-encontro-de-dj%c2%b4s-de-sobradinho-df-e-entorno-club-do-vinil-bsb/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 17:04:05 +0000</pubDate>
		<dc:creator>deadog</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[CLUB]]></category>
		<category><![CDATA[DJ´S]]></category>
		<category><![CDATA[ENCONTRO]]></category>
		<category><![CDATA[ENTORNO]]></category>
		<category><![CDATA[SOBRADINHODF]]></category>
		<category><![CDATA[VINIL]]></category>

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		<description><![CDATA[O 3º Encontro de DJ´s de Sobradinho-DF (CLUB DO VINIL BSB) tem por objetivo a divulgação do trabalho que vários de DJ´s vem desenvolvendo em diversas cidades espalhadas pelo DF e Entorno ea valorização da Cultura DJ por meio de &#8230; <a href="http://www.deadog.com/89/3o-encontro-de-dj%c2%b4s-de-sobradinho-df-e-entorno-club-do-vinil-bsb/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>				<object width="425" height="355"><param name="movie" value="http://www.youtube.com/v/sWUDMo2yHpI?fs=1"></param><param name="allowFullScreen" value="true"></param>
				<embed src="http://www.youtube.com/v/sWUDMo2yHpI?fs=1&#038;rel=0" type="application/x-shockwave-flash" width="425" height="355" allowfullscreen="true"></embed></object></p>
<p>O 3º Encontro de DJ´s de Sobradinho-DF (CLUB DO VINIL BSB) tem por objetivo a divulgação do trabalho que vários de DJ´s vem desenvolvendo em diversas cidades espalhadas pelo DF e Entorno ea valorização da Cultura DJ por meio de suas performances, produções e remixers também abrir espaço para novos DJ´s. A idéia é que Encontro de DJ´s comece a ser realizado a cada 3 meses sempre em uma cidade do DF ou Entorno em espaços abertos ou cedidos por comerciantes e de forma gratuita para a população que muitas vezes carece desse tipo de cultura e por diversas vezes não pode pagar para ir a eventos em que os DJ´s se apresentam. com o objetivo de divulgar a Cultura DJ, destacando a importância do Disco de Vinil para o DJ.DJ Celsão tocando os clássico do Programa Mix Mania só em vinil, programa que marcou a Black Music de Brasília e as tardes de muitas pessoas na decada de 90´s. Tradução / Translation he 3rd Meeting of DJs Sobradinho-DF (BSB CLUB VINYL) aims to disseminate the work of various DJ&#8217;s has been developing in various cities throughout Mexico City and surrounding areas and the valuation of DJ culture through their performances productions, remixes and also make room for new DJ&#8217;s. The idea is that DJs start Meeting to be held every three months ever in a city or surrounding areas of the DF in open spaces or assigned by traders and free of charge for the population that often lacks this kind of culture and several times can not afford to go to events where the DJ&#8217;s are <b>&#8230;</b><br />
<strong>Video Rating: 5 / 5</strong></p>
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		<slash:comments>1</slash:comments>
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		<title>Steven F. Udvar-Hazy Center: P-38 Lightning, with B-29 Enola Gay behind it</title>
		<link>http://www.deadog.com/88/steven-f-udvar-hazy-center-p-38-lightning-with-b-29-enola-gay-behind-it/</link>
		<comments>http://www.deadog.com/88/steven-f-udvar-hazy-center-p-38-lightning-with-b-29-enola-gay-behind-it/#comments</comments>
		<pubDate>Fri, 03 Feb 2012 12:03:05 +0000</pubDate>
		<dc:creator>deadog</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[behind]]></category>
		<category><![CDATA[Center]]></category>
		<category><![CDATA[Enola]]></category>
		<category><![CDATA[Lightning]]></category>
		<category><![CDATA[Steven]]></category>
		<category><![CDATA[UdvarHazy]]></category>

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		<description><![CDATA[A few nice Sell Old 45 Records images I found: Steven F. Udvar-Hazy Center: P-38 Lightning, with B-29 Enola Gay behind it Image by Chris Devers See more photos of this, and the Wikipedia article. Details, quoting from Smithsonian National &#8230; <a href="http://www.deadog.com/88/steven-f-udvar-hazy-center-p-38-lightning-with-b-29-enola-gay-behind-it/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>A few nice Sell Old 45 Records images I found:</p>
<p><strong>Steven F. Udvar-Hazy Center: P-38 Lightning, with B-29 Enola Gay behind it</strong><br />
<img alt="Sell Old 45 Records" src="http://farm6.staticflickr.com/5183/5779248322_28ff9cfdb3.jpg" width="400"/><br/><br />
<i>Image by <a href="http://www.flickr.com/photos/9161595@N03/5779248322">Chris Devers</a></i></p>
<p><i><b>See <a href="http://www.flickr.com/search/?w=9161595@N03&amp;q=Lockheed P-38J-10-LO Lightning">more photos</a> of this, and the <a href="http://en.wikipedia.org/wiki/Lockheed_P-38_Lightning" rel="nofollow">Wikipedia</a> article</b></i>.</p>
<p>Details, quoting from <i><a href="http://www.nasm.si.edu/museum/udvarhazy/" rel="nofollow">Smithsonian National Air and Space Museum</a></i> | <b><a href="http://www.nasm.si.edu/collections/artifact.cfm?id=A19600295000" rel="nofollow">Lockheed P-38J-10-LO Lightning</a></b></p>
<p>In the P-38 Lockheed engineer Clarence &quot;Kelly&quot; Johnson and his team of designers created one of the most successful twin-engine fighters ever flown by any nation.  From 1942 to 1945, U. S. Army Air Forces pilots flew P-38s over Europe, the Mediterranean, and the Pacific, and from the frozen Aleutian Islands to the sun-baked deserts of North Africa.  Lightning pilots in the Pacific theater downed more Japanese aircraft than pilots flying any other Allied warplane.</p>
<p>Maj. Richard I. Bong, America&#8217;s leading fighter ace, flew this P-38J-10-LO on April 16, 1945, at Wright Field, Ohio, to evaluate an experimental method of interconnecting the movement of the throttle and propeller control levers.  However, his right engine exploded in flight before he could conduct the experiment.</p>
<p><em>Transferred from the United States Air Force.</em></p>
<p><strong>Manufacturer:</strong><br />
<a href="http://www.nasm.si.edu/collections/cons.cfm?id=849" rel="nofollow">Lockheed Aircraft Company</a></p>
<p><strong>Date:</strong><br />
1943 </p>
<p><strong>Country of Origin:</strong><br />
United States of America</p>
<p><strong>Dimensions:</strong><br />
Overall: 390 x 1170cm, 6345kg, 1580cm (12ft 9 9/16in. x 38ft 4 5/8in., 13988.2lb., 51ft 10 1/16in.)</p>
<p><strong>Materials:</strong><br />
All-metal</p>
<p><strong>Physical Description:</strong><br />
Twin-tail boom and twin-engine fighter; tricycle landing gear.</p>
<p><strong>Long Description:</strong><br />
From 1942 to 1945, the thunder of P-38 Lightnings was heard around the world. U. S. Army pilots flew the P-38 over Europe, the Mediterranean, and the Pacific; from the frozen Aleutian Islands to the sun-baked deserts of North Africa. Measured by success in combat, Lockheed engineer Clarence &quot;Kelly&quot; Johnson and a team of designers created the most successful twin-engine fighter ever flown by any nation. In the Pacific Theater, Lightning pilots downed more Japanese aircraft than pilots flying any other Army Air Forces warplane.</p>
<p>Johnson and his team conceived this twin-engine, single-pilot fighter airplane in 1936 and the Army Air Corps authorized the firm to build it in June 1937. Lockheed finished constructing the prototype XP-38 and delivered it to the Air Corps on New Year&#8217;s Day, 1939. Air Corps test pilot and P-38 project officer, Lt. Benjamin S. Kelsey, first flew the aircraft on January 27. Losing this prototype in a crash at Mitchel Field, New York, with Kelsey at the controls, did not deter the Air Corps from ordering 13 YP-38s for service testing on April 27. Kelsey survived the crash and remained an important part of the Lightning program. Before the airplane could be declared ready for combat, Lockheed had to block the effects of high-speed aerodynamic compressibility and tail buffeting, and solve other problems discovered during the service tests. </p>
<p>The most vexing difficulty was the loss of control in a dive caused by aerodynamic compressibility. During late spring 1941, Air Corps Major Signa A. Gilke encountered serious trouble while diving his Lightning at high-speed from an altitude of 9,120 m (30,000 ft). When he reached an indicated airspeed of about 515 kph (320 mph), the airplane&#8217;s tail began to shake violently and the nose dropped until the dive was almost vertical. Signa recovered and landed safely and the tail buffet problem was soon resolved after Lockheed installed new fillets to improve airflow where the cockpit gondola joined the wing center section. Seventeen months passed before engineers began to determine what caused the Lightning&#8217;s nose to drop. They tested a scale model P-38 in the Ames Laboratory wind tunnel operated by the NACA (National Advisory Committee for Aeronautics) and found that shock waves formed when airflow over the wing leading edges reached transonic speeds. The nose drop and loss of control was never fully remedied but Lockheed installed dive recovery flaps under each wing in 1944. These devices slowed the P-38 enough to allow the pilot to maintain control when diving at high-speed.</p>
<p>Just as the development of the North American P-51 Mustang, Republic P-47 Thunderbolt, and the Vought F4U Corsair (see NASM collection for these aircraft) pushed the limits of aircraft performance into unexplored territory, so too did P-38 development. The type of aircraft envisioned by the Lockheed design team and Air Corps strategists in 1937 did not appear until June 1944. This protracted shakedown period mirrors the tribulations suffered by Vought in sorting out the many technical problems that kept F4U Corsairs off U. S. Navy carrier decks until the end of 1944.</p>
<p>Lockheed&#8217;s efforts to trouble-shoot various problems with the design also delayed high-rate, mass production. When Japan attacked Pearl Harbor, the company had delivered only 69 Lightnings to the Army. Production steadily increased and at its peak in 1944, 22 sub-contractors built various Lightning components and shipped them to Burbank, California, for final assembly. Consolidated-Vultee (Convair) subcontracted to build the wing center section and the firm later became prime manufacturer for 2,000 P-38Ls but that company&#8217;s Nashville plant completed only 113 examples of this Lightning model before war&#8217;s end. Lockheed and Convair finished 10,038 P-38 aircraft including 500 photo-reconnaissance models. They built more L models, 3,923, than any other version.</p>
<p>To ease control and improve stability, particularly at low speeds, Lockheed equipped all Lightnings, except a batch ordered by Britain, with propellers that counter-rotated. The propeller to the pilot&#8217;s left turned counter-clockwise and the propeller to his right turned clockwise, so that one propeller countered the torque and airflow effects generated by the other. The airplane also performed well at high speeds and the definitive P-38L model could make better than 676 kph (420 mph) between 7,600 and 9,120 m (25,000 and 30,000 ft). The design was versatile enough to carry various combinations of bombs, air-to-ground rockets, and external fuel tanks. The multi-engine configuration reduced the Lightning loss-rate to anti-aircraft gunfire during ground attack missions. Single-engine airplanes equipped with power plants cooled by pressurized liquid, such as the North American P-51 Mustang (see NASM collection), were particularly vulnerable. Even a small nick in one coolant line could cause the engine to seize in a matter of minutes.</p>
<p>The first P-38s to reach the Pacific combat theater arrived on April 4, 1942, when a version of the Lightning that carried reconnaissance cameras (designated the F-4), joined the 8th Photographic Squadron based in Australia. This unit launched the first P-38 combat missions over New Guinea and New Britain during April. By May 29, the first 25 P-38s had arrived in Anchorage, Alaska. On August 9, pilots of the 343rd Fighter Group, Eleventh Air Force, flying the P-38E, shot down a pair of Japanese flying boats.</p>
<p>Back in the United States, Army Air Forces leaders tried to control a rumor that Lightnings killed their own pilots. On August 10, 1942, Col. Arthur I. Ennis, Chief of U. S. Army Air Forces Public Relations in Washington, told a fellow officer &quot;… Here&#8217;s what the 4th Fighter [training] Command is up against… common rumor out there that the whole West Coast was filled with headless bodies of men who jumped out of P-38s and had their heads cut off by the propellers.&quot; Novice Lightning pilots unfamiliar with the correct bailout procedures actually had more to fear from the twin-boom tail, if an emergency dictated taking to the parachute but properly executed, Lightning bailouts were as safe as parachuting from any other high-performance fighter of the day. Misinformation and wild speculation about many new aircraft was rampant during the early War period.</p>
<p>Along with U. S. Navy Grumman F4F Wildcats (see NASM collection) and Curtiss P-40 Warhawks (see NASM collection), Lightnings were the first American fighter airplanes capable of consistently defeating Japanese fighter aircraft. On November 18, men of the 339th Fighter Squadron became the first Lightning pilots to attack Japanese fighters. Flying from Henderson Field on Guadalcanal, they claimed three during a mission to escort Boeing B-17 Flying Fortress bombers (see NASM collection).</p>
<p>On April 18, 1943, fourteen P-38 pilots from the 70th and the 339th Fighter Squadrons, 347th Fighter Group, accomplished one of the most important Lightning missions of the war. American ULTRA cryptanalysts had decoded Japanese messages that revealed the timetable for a visit to the front by the commander of the Imperial Japanese Navy, Admiral Isoroku Yamamoto. This charismatic leader had crafted the plan to attack Pearl Harbor and Allied strategists believed his loss would severely cripple Japanese morale. The P-38 pilots flew 700 km (435 miles) at heights from 3-15 m (10-50 feet) above the ocean to avoid detection. Over the coast of Bougainville, they intercepted a formation of two Mitsubishi G4M BETTY bombers (see NASM collection) carrying the Admiral and his staff, and six Mitsubishi A6M Zero fighters (see NASM collection) providing escort. The Lightning pilots downed both bombers but lost Lt. Ray Hine to a Zero.</p>
<p>In Europe, the first Americans to down a Luftwaffe aircraft were Lt. Elza E. Shahan flying a 27th Fighter Squadron P-38E, and Lt. J. K. Shaffer flying a Curtiss P-40 (see NASM collection) in the 33rd Fighter Squadron. The two flyers shared the destruction of a Focke-Wulf Fw 200C-3 Condor maritime strike aircraft over Iceland on August 14, 1942. Later that month, the 1st fighter group accepted Lightnings and began combat operations from bases in England but this unit soon moved to fight in North Africa. More than a year passed before the P-38 reappeared over Western Europe. While the Lightning was absent, U. S. Army Air Forces strategists had relearned a painful lesson: unescorted bombers cannot operate successfully in the face of determined opposition from enemy fighters. When P-38s returned to England, the primary mission had become long-range bomber escort at ranges of about 805 kms (500 miles) and at altitudes above 6,080 m (20,000 ft).</p>
<p>On October 15, 1943, P-38H pilots in the 55th Fighter Group flew their first combat mission over Europe at a time when the need for long-range escorts was acute. Just the day before, German fighter pilots had destroyed 60 of 291 Eighth Air Force B-17 Flying Fortresses (see NASM collection) during a mission to bomb five ball-bearing plants at Schweinfurt, Germany. No air force could sustain a loss-rate of nearly 20 percent for more than a few missions but these targets lay well beyond the range of available escort fighters (Republic P-47 Thunderbolt, see NASM collection). American war planners hoped the long-range capabilities of the P-38 Lightning could halt this deadly trend, but the very high and very cold environment peculiar to the European air war caused severe power plant and cockpit heating difficulties for the Lightning pilots. The long-range escort problem was not completely solved until the North American P-51 Mustang (see NASM collection) began to arrive in large numbers early in 1944.</p>
<p>Poor cockpit heating in the H and J model Lightnings made flying and fighting at altitudes that frequently approached 12,320 m (40,000 ft) nearly impossible. This was a fundamental design flaw that Kelly Johnson and his team never anticipated when they designed the airplane six years earlier. In his seminal work on the Allison V-1710 engine, Daniel Whitney analyzed in detail other factors that made the P-38 a disappointing airplane in combat over Western Europe.</p>
<p>• Many new and inexperienced pilots arrived in England during December 1943, along with the new J model P-38 Lightning.</p>
<p>• J model rated at 1,600 horsepower vs. 1,425 for earlier H model Lightnings. This power setting required better maintenance between flights. It appears this work was not done in many cases.</p>
<p>• During stateside training, Lightning pilots were taught to fly at high rpm settings and low engine manifold pressure during cruise flight. This was very hard on the engines, and not in keeping with technical directives issued by Allison and Lockheed.</p>
<p>• The quality of fuel in England may have been poor, TEL (tetraethyl lead) fuel additive appeared to condense inside engine induction manifolds, causing detonation (destructive explosion of fuel mixture rather than controlled burning).</p>
<p>• Improved turbo supercharger intercoolers appeared on the J model P-38. These devices greatly reduced manifold temperatures but this encouraged TEL condensation in manifolds during cruise flight and increased spark plug fouling.</p>
<p>Using water injection to minimize detonation might have reduced these engine problems. Both the Republic P-47 Thunderbolt and the North American P-51 Mustang (see NASM collection) were fitted with water injection systems but not the P-38. Lightning pilots continued to fly, despite these handicaps.</p>
<p>During November 1942, two all-Lightning fighter groups, the 1st and the 14th, began operating in North Africa. In the Mediterranean Theater, P-38 pilots flew more sorties than Allied pilots flying any other type of fighter. They claimed 608 enemy a/c destroyed in the air, 123 probably destroyed and 343 damaged, against the loss of 131 Lightnings.</p>
<p>In the war against Japan, the P-38 truly excelled. Combat rarely occurred above 6,080 m (20,000 ft) and the engine and cockpit comfort problems common in Europe never plagued pilots in the Pacific Theater. The Lightning&#8217;s excellent range was used to full advantage above the vast expanses of water. In early 1945, Lightning pilots of the 12th Fighter Squadron, 18th Fighter Group, flew a mission that lasted 10 ½ hours and covered more than 3,220 km (2,000 miles). In August, P-38 pilots established the world&#8217;s long-distance record for a World War II combat fighter when they flew from the Philippines to the Netherlands East Indies, a distance of 3,703 km (2,300 miles). During early 1944, Lightning pilots in the 475th Fighter Group began the &#8216;race of aces.&#8217; By March, Lieutenant Colonel Thomas J. Lynch had scored 21 victories before he fell to antiaircraft gunfire while strafing enemy ships. Major Thomas B. McGuire downed 38 Japanese aircraft before he was killed when his P-38 crashed at low altitude in early January 1945. Major Richard I. Bong became America&#8217;s highest scoring fighter ace (40 victories) but died in the crash of a Lockheed P-80 (see NASM collection) on August 6, 1945.</p>
<p>Museum records show that Lockheed assigned the construction number 422-2273 to the National Air and Space Museum&#8217;s P-38. The Army Air Forces accepted this Lightning as a P-38J-l0-LO on November 6, 1943, and the service identified the airplane with the serial number 42-67762. Recent investigations conducted by a team of specialists at the Paul E. Garber Facility, and Herb Brownstein, a volunteer in the Aeronautics Division at the National Air and Space Museum, have revealed many hitherto unknown aspects to the history of this aircraft.</p>
<p>Brownstein examined NASM files and documents at the National Archives. He discovered that a few days after the Army Air Forces (AAF) accepted this airplane, the Engineering Division at Wright Field in Dayton, Ohio, granted Lockheed permission to convert this P-38 into a two-seat trainer. The firm added a seat behind the pilot to accommodate an instructor who would train civilian pilots in instrument flying techniques. Once trained, these test pilots evaluated new Lightnings fresh off the assembly line.</p>
<p>In a teletype sent by the Engineering Division on March 2, 1944, Brownstein also discovered that this P-38 was released to Colonel Benjamin S. Kelsey from March 3 to April 10, 1944, to conduct special tests. This action was confirmed the following day in a cable from the War Department. This same pilot, then a Lieutenant, flew the XP-38 across the United States in 1939 and survived the crash that destroyed this Lightning at Mitchel Field, New York. In early 1944, Kelsey was assigned to the Eighth Air Force in England and he apparently traveled to the Lockheed factory at Burbank to pick up the P-38. Further information about these tests and Kelsey&#8217;s involvement remain an intriguing question.</p>
<p>One of Brownstein&#8217;s most important discoveries was a small file rich with information about the NASM Lightning. This file contained a cryptic reference to a &quot;Major Bong&quot; who flew the NASM P-38 on April 16, 1945, at Wright Field. Bong had planned to fly for an hour to evaluate an experimental method of interconnecting the movement of the throttle and propeller control levers. His flight ended after twenty-minutes when &quot;the right engine blew up before I had a chance [to conduct the test].&quot; The curator at the Richard I. Bong Heritage Center confirmed that America&#8217;s highest scoring ace made this flight in the NASM P-38 Lightning.</p>
<p>Working in Building 10 at the Paul E. Garber Facility, Rob Mawhinney, Dave Wilson, Wil Lee, Bob Weihrauch, Jim Purton, and Heather Hutton spent several months during the spring and summer of 2001 carefully disassembling, inspecting, and cleaning the NASM Lightning. They found every hardware modification consistent with a model J-25 airplane, not the model J-10 painted in the data block beneath the artifact&#8217;s left nose. This fact dovetails perfectly with knowledge uncovered by Brownstein. On April 10, the Engineering Division again cabled Lockheed asking the company to prepare 42-67762 for transfer to Wright Field &quot;in standard configuration.&quot; The standard P-38 configuration at that time was the P-38J-25. The work took several weeks and the fighter does not appear on Wright Field records until May 15, 1944. On June 9, the Flight Test Section at Wright Field released the fighter for flight trials aimed at collecting pilot comments on how the airplane handled.</p>
<p>Wright Field&#8217;s Aeromedical Laboratory was the next organization involved with this P-38. That unit installed a kit on July 26 that probably measured the force required to move the control wheel left and right to actuate the power-boosted ailerons installed in all Lightnings beginning with version J-25. From August 12-16, the Power Plant Laboratory carried out tests to measure the hydraulic pump temperatures on this Lightning. Then beginning September 16 and lasting about ten days, the Bombing Branch, Armament Laboratory, tested type R-3 fragmentation bomb racks. The work appears to have ended early in December. On June 20, 1945, the AAF Aircraft Distribution Office asked that the Air Technical Service Command transfer the Lightning from Wright Field to Altus Air Force Base, Oklahoma, a temporary holding area for Air Force museum aircraft. The P-38 arrived at the Oklahoma City Air Depot on June 27, 1945, and mechanics prepared the fighter for flyable storage.</p>
<p>Airplane Flight Reports for this Lightning also describe the following activities and movements:</p>
<p>6-21-45 Wright Field, Ohio, 5.15 hours of flying.<br />
6-22-45Wright Field, Ohio, .35 minutes of flying by Lt. Col. Wendel [?] J. Kelley and P. Shannon.<br />
6-25-45Altus, Oklahoma, .55 hours flown, pilot P. Shannon.<br />
6-27-45Altus, Oklahoma, #2 engine changed, 1.05 hours flown by Air Corps F/O Ralph F. Coady.<br />
10-5-45 OCATSC-GCAAF (Garden City Army Air Field, Garden City, Kansas), guns removed and ballast added.<br />
10-8-45Adams Field, Little Rock, Arkansas.<br />
10-9-45Nashville, Tennessee,<br />
5-28-46Freeman Field, Indiana, maintenance check by Air Corps Capt. H. M. Chadhowere [sp]?<br />
7-24-46Freeman Field, Indiana, 1 hour local flight by 1st Lt. Charles C. Heckel.<br />
7-31-46 Freeman Field, Indiana, 4120th AAF Base Unit, ferry flight to Orchard Place [Illinois] by 1st Lt. Charles C. Heckel.</p>
<p>On August 5, 1946, the AAF moved the aircraft to another storage site at the former Consolidated B-24 bomber assembly plant at Park Ridge, Illinois. A short time later, the AAF transferred custody of the Lightning and more than sixty other World War II-era airplanes to the Smithsonian National Air Museum. During the early 1950s, the Air Force moved these airplanes from Park Ridge to the Smithsonian storage site at Suitland, Maryland.</p>
<p> • • •</p>
<p>Quoting from <a href="http://en.wikipedia.org/wiki/Lockheed_P-38_Lightning" rel="nofollow"><i>Wikipedia</i> | <b>Lockheed P-38 Lightning</b></a>:</p>
<p>The <b>Lockheed P-38 Lightning</b> was a <a href="http://en.wikipedia.org/wiki/World_War_II" rel="nofollow">World War II</a> American <a href="http://en.wikipedia.org/wiki/Fighter_aircraft" rel="nofollow">fighter aircraft</a> built by <a href="http://en.wikipedia.org/wiki/Lockheed_Corporation" rel="nofollow">Lockheed</a>. Developed to a <a href="http://en.wikipedia.org/wiki/United_States_Army_Air_Corps" rel="nofollow">United States Army Air Corps</a> requirement, the P-38 had distinctive <a href="http://en.wikipedia.org/wiki/Twin_boom" rel="nofollow">twin booms</a> and a single, central <a href="http://en.wikipedia.org/wiki/Nacelle" rel="nofollow">nacelle</a> containing the cockpit and armament. Named &quot;fork-tailed devil&quot; by the <i>Luftwaffe</i> and &quot;two planes, one pilot&quot; by the Japanese, the P-38 was used in a number of roles, including <a href="http://en.wikipedia.org/wiki/Dive_bomber" rel="nofollow">dive bombing</a>, <a href="http://en.wikipedia.org/wiki/Level_bomber" rel="nofollow">level bombing</a>, <a href="http://en.wikipedia.org/wiki/Ground-attack_aircraft" rel="nofollow">ground-attack</a>, photo <a href="http://en.wikipedia.org/wiki/Reconnaissance" rel="nofollow">reconnaissance</a> missions, and extensively as a long-<a href="http://en.wikipedia.org/wiki/Range_(aircraft)" rel="nofollow">range</a> escort fighter when equipped with <a href="http://en.wikipedia.org/wiki/Drop_tank" rel="nofollow">drop tanks</a> under its wings.</p>
<p>The P-38 was used most successfully in the <a href="http://en.wikipedia.org/wiki/Pacific_Theater_of_Operations" rel="nofollow">Pacific Theater of Operations</a> and the <a href="http://en.wikipedia.org/wiki/China_Burma_India_Theater_of_World_War_II" rel="nofollow">China-Burma-India Theater of Operations</a> as the mount of America&#8217;s top <a href="http://en.wikipedia.org/wiki/Flying_ace" rel="nofollow">aces</a>, <a href="http://en.wikipedia.org/wiki/Richard_Bong" rel="nofollow">Richard Bong</a> (40 victories) and <a href="http://en.wikipedia.org/wiki/Thomas_McGuire" rel="nofollow">Thomas McGuire</a> (38 victories). In the <a href="http://en.wikipedia.org/wiki/South_West_Pacific_theatre_of_World_War_II" rel="nofollow">South West Pacific theater</a>, the P-38 was the primary long-range fighter of <a href="http://en.wikipedia.org/wiki/United_States_Army_Air_Forces" rel="nofollow">United States Army Air Forces</a> until the appearance of large numbers of <a href="http://en.wikipedia.org/wiki/North_American_P-51_Mustang" rel="nofollow">P-51D Mustangs</a> toward the end of the war. The P-38 was unusually quiet for a fighter, the exhaust muffled by the <a href="http://en.wikipedia.org/wiki/Turbosupercharging" rel="nofollow">turbo-superchargers</a>. It was extremely forgiving, and could be mishandled in many ways, but the rate of roll was too slow for it to excel as a dogfighter. The P-38 was the only American fighter aircraft in production throughout American involvement in the war, from <a href="http://en.wikipedia.org/wiki/Attack_on_Pearl_Harbor" rel="nofollow">Pearl Harbor</a> to <a href="http://en.wikipedia.org/wiki/Victory_over_Japan_Day" rel="nofollow">Victory over Japan Day</a>.</p>
<p><b><i>Variants: Lightning in maturity: P-38J</i></b></p>
<p>The <b>P-38J</b> was introduced in August 1943. The turbo-supercharger <a href="http://en.wikipedia.org/wiki/Intercooler" rel="nofollow">intercooler</a> system on previous variants had been housed in the leading edges of the wings and had proven vulnerable to combat damage and could burst if the wrong series of controls were mistakenly activated. In the P-38J model, the streamlined engine nacelles of previous Lightnings were changed to fit the intercooler radiator between the oil coolers, forming a &quot;chin&quot; that visually distinguished the J model from its predecessors. While the P-38J used the same V-1710-89/91 engines as the H model, the new core-type intercooler more efficiently lowered intake manifold temperatures and permitted a substantial increase in rated power. The leading edge of the outer wing was fitted with 55&nbsp;gal (208&nbsp;l) fuel tanks, filling the space formerly occupied by intercooler tunnels, but these were omitted on early P-38J blocks due to limited availability.</p>
<p>The final 210 J models, designated P-38J-25-LO, alleviated the compressibility problem through the addition of a set of electrically-actuated dive recovery flaps just outboard of the engines on the bottom centerline of the wings. With these improvements, a USAAF pilot reported a dive speed of almost 600&nbsp;mph (970&nbsp;km/h), although the indicated air speed was later corrected for compressibility error, and the actual dive speed was lower. Lockheed manufactured over 200 retrofit modification kits to be installed on P-38J-10-LO and J-20-LO already in Europe, but the USAAF C-54 carrying them was shot down by an RAF pilot who mistook the Douglas transport for a German Focke-Wulf Condor. Unfortunately the loss of the kits came during Lockheed test pilot <a href="http://en.wikipedia.org/wiki/Tony_LeVier" rel="nofollow">Tony LeVier</a>&#8216;s four-month morale-boosting tour of P-38 bases. Flying a new Lightning named &quot;Snafuperman&quot; modified to full P-38J-25-LO specs at Lockheed&#8217;s modification center near Belfast, LeVier captured the pilots&#8217; full attention by routinely performing maneuvers during March 1944 that common Eighth Air Force wisdom held to be suicidal. It proved too little too late because the decision had already been made to re-equip with Mustangs.</p>
<p>The P-38J-25-LO production block also introduced hydraulically-boosted ailerons, one of the first times such a system was fitted to a fighter. This significantly improved the Lightning&#8217;s rate of roll and reduced control forces for the pilot. This production block and the following P-38L model are considered the definitive Lightnings, and Lockheed ramped up production, working with subcontractors across the country to produce hundreds of Lightnings each month.</p>
<p><b><i>Noted P-38 pilots</i></b></p>
<p><i>Richard Bong and Thomas McGuire</i></p>
<p>The American ace of aces and his closest competitor both flew Lightnings as they tallied 40 and 38 victories respectively. Majors <a href="http://en.wikipedia.org/wiki/Richard_Bong" rel="nofollow">Richard I. &quot;Dick&quot; Bong</a> and <a href="http://en.wikipedia.org/wiki/Thomas_McGuire" rel="nofollow">Thomas J. &quot;Tommy&quot; McGuire</a> of the <a href="http://en.wikipedia.org/wiki/USAAF" rel="nofollow">USAAF</a> competed for the top position. Both men were awarded the <a href="http://en.wikipedia.org/wiki/Medal_of_Honor" rel="nofollow">Medal of Honor</a>.</p>
<p>McGuire was killed in air combat in January 1945 over the <a href="http://en.wikipedia.org/wiki/Philippines" rel="nofollow">Philippines</a>, after racking up 38 confirmed kills, making him the second-ranking American ace. Bong was rotated back to the United States as America&#8217;s ace of aces, after making 40 kills, becoming a test pilot. He was killed on 6 August 1945, the day the atomic bomb was dropped on Japan, when his <a href="http://en.wikipedia.org/wiki/P-80_Shooting_Star" rel="nofollow">P-80 Shooting Star</a> jet fighter flamed out on <a href="http://en.wikipedia.org/wiki/Takeoff" rel="nofollow">takeoff</a>.</p>
<p><i>Charles Lindbergh</i></p>
<p>The famed aviator <a href="http://en.wikipedia.org/wiki/Charles_Lindbergh" rel="nofollow">Charles Lindbergh</a> toured the South Pacific as a civilian contractor for <a href="http://en.wikipedia.org/wiki/United_Aircraft_and_Transport_Corporation" rel="nofollow">United Aircraft Corporation</a>, comparing and evaluating performance of single- and twin-engined fighters for <a href="http://en.wikipedia.org/wiki/Vought" rel="nofollow">Vought</a>. He worked to improve range and load limits of the <a href="http://en.wikipedia.org/wiki/F4U_Corsair" rel="nofollow">F4U Corsair</a>, flying both routine and combat strafing missions in Corsairs alongside <a href="http://en.wikipedia.org/wiki/United_States_Marine_Corps_Aviation" rel="nofollow">Marine</a> pilots. In Hollandia, he attached himself to the 475th FG flying P-38s so that he could investigate the twin-engine fighter. Though new to the machine, he was instrumental in extending the range of the P-38 through improved throttle settings, or engine-leaning techniques, notably by reducing engine speed to 1,600&nbsp;rpm, setting the carburetors for auto-lean and flying at 185&nbsp;mph (298&nbsp;km/h) <a href="http://en.wikipedia.org/wiki/Indicated_airspeed" rel="nofollow">indicated airspeed</a> which reduced fuel consumption to 70&nbsp;gal/h, about 2.6&nbsp;mpg. This combination of settings had been considered dangerous; it was thought it would upset the fuel mixture and cause an explosion. Everywhere Lindbergh went in the South Pacific, he was accorded the normal preferential treatment of a visiting colonel, though he had resigned his Air Corps Reserve colonel&#8217;s commission three years before. While with the 475th, he held training classes and took part in a number of Army Air Corps combat missions. On 28 July 1944, Lindbergh shot down a <a href="http://en.wikipedia.org/wiki/Mitsubishi_Ki-51" rel="nofollow">Mitsubishi Ki-51</a> &quot;Sonia&quot; flown expertly by the veteran commander of 73rd Independent Flying <a href="http://en.wikipedia.org/wiki/Chutaicho" rel="nofollow">Chutai</a>, <a href="http://en.wikipedia.org/wiki/Imperial_Japanese_Army" rel="nofollow">Imperial Japanese Army</a> Captain Saburo Shimada. In an extended, twisting dogfight in which many of the participants ran out of ammunition, Shimada turned his aircraft directly toward Lindbergh who was just approaching the combat area. Lindbergh fired in a defensive reaction brought on by Shimada&#8217;s apparent head-on <a href="http://en.wikipedia.org/wiki/Ramming#Air_warfare" rel="nofollow">ramming attack</a>. Hit by cannon and machine gun fire, the &quot;Sonia&#8217;s&quot; propeller visibly slowed, but Shimada held his course. Lindbergh pulled up at the last moment to avoid collision as the damaged &quot;Sonia&quot; went into a steep dive, hit the ocean and sank. Lindbergh&#8217;s wingman, ace Joseph E. &quot;Fishkiller&quot; Miller, Jr., had also scored hits on the &quot;Sonia&quot; after it had begun its fatal dive, but Miller was certain the kill credit was Lindbergh&#8217;s. The unofficial kill was not entered in the 475th&#8217;s war record. On 12 August 1944 Lindbergh left Hollandia to return to the United States.</p>
<p><i>Charles MacDonald</i></p>
<p>The seventh-ranking American ace, <a href="http://en.wikipedia.org/wiki/Charles_H._MacDonald" rel="nofollow">Charles H. MacDonald</a>, flew a Lightning against the Japanese, scoring 27 kills in his famous aircraft, the <i>Putt Putt Maru</i>.</p>
<p><i>Robin Olds</i></p>
<p>Main article: <a href="http://en.wikipedia.org/wiki/Robin_Olds" rel="nofollow">Robin Olds</a></p>
<p>Robin Olds was the last P-38 ace in the Eighth Air Force and the last in the ETO. Flying a P-38J, he downed five German fighters on two separate missions over France and Germany. He subsequently transitioned to P-51s to make seven more kills. After World War II, he flew F-4 Phantom IIs in Vietnam, ending his career as brigadier general with 16 kills.</p>
<p><i>Clay Tice</i></p>
<p>A P-38 piloted by <a href="http://en.wikipedia.org/w/index.php?title=Clay_Tice&amp;action=edit&amp;redlink=1" rel="nofollow">Clay Tice</a> was the first American aircraft to land in Japan after VJ-Day, when he and his wingman set down on Nitagahara because his wingman was low on fuel.</p>
<p><i>Antoine de Saint-Exupéry</i></p>
<p>Noted aviation pioneer and writer <a href="http://en.wikipedia.org/wiki/Antoine_de_Saint-Exup%c3%a9ry" rel="nofollow">Antoine de Saint-Exupéry</a> vanished in a F-5B-1-LO, <i>42-68223</i>, c/n 2734, of <a href="http://en.wikipedia.org/w/index.php?title=Groupe_de_Chasse_II/33&amp;action=edit&amp;redlink=1" rel="nofollow">Groupe de Chasse II/33</a>, out of <a href="http://en.wikipedia.org/w/index.php?title=Borgo-Porreta&amp;action=edit&amp;redlink=1" rel="nofollow">Borgo-Porreta</a>, <a href="http://en.wikipedia.org/wiki/Bastia" rel="nofollow">Bastia</a>, <a href="http://en.wikipedia.org/wiki/Corsica" rel="nofollow">Corsica</a>, a reconnaissance variant of the P-38, while on a flight over the Mediterranean, from Corsica to mainland France, on 31 July 1944. His health, both physical and mental (he was said to be intermittently subject to depression), had been deteriorating and there had been talk of taking him off flight status. There have been suggestions (although no proof to date) that this was a suicide rather than an aircraft failure or combat loss. In 2000, a French scuba diver found the wreckage of a Lightning in the Mediterranean off the coast of <a href="http://en.wikipedia.org/wiki/Marseille" rel="nofollow">Marseille</a>, and it was confirmed in April 2004 as Saint-Exupéry&#8217;s F-5B. No evidence of air combat was found. In March 2008, a former <i><a href="http://en.wikipedia.org/wiki/Luftwaffe" rel="nofollow">Luftwaffe</a></i> pilot, Horst Rippert from Jagdgruppe 200, claimed to have shot down Saint-Exupéry.</p>
<p><i>Adrian Warburton</i></p>
<p>The RAF&#8217;s legendary photo-recon &quot;ace&quot;, Wing Commander <a href="http://en.wikipedia.org/wiki/Adrian_Warburton" rel="nofollow">Adrian Warburton</a> DSO DFC, was the pilot of a Lockheed P-38 borrowed from the USAAF that took off on 12 April 1944 to photograph targets in Germany. W/C Warburton failed to arrive at the rendezvous point and was never seen again. In 2003, his remains were recovered in Germany from his wrecked USAAF P-38 Lightning. </p>
<p> • • • • •</p>
<p>Quoting <a href="http://www.nasm.si.edu/collections/artifact.cfm?id=A19500100000" rel="nofollow">Smithsonian National Air and Space Museum | Boeing B-29 Superfortress &quot;Enola Gay&quot;</a>:</p>
<p>Boeing&#8217;s B-29 Superfortress was the most sophisticated propeller-driven bomber of World War II and the first bomber to house its crew in pressurized compartments. Although designed to fight in the European theater, the B-29 found its niche on the other side of the globe.  In the Pacific, B-29s delivered a variety of aerial weapons: conventional bombs, incendiary bombs, mines, and two nuclear weapons.</p>
<p>On August 6, 1945, this Martin-built B-29-45-MO dropped the first atomic weapon used in combat on Hiroshima, Japan.  Three days later, Bockscar (on display at the U.S. Air Force Museum near Dayton, Ohio) dropped a second atomic bomb on Nagasaki, Japan.  Enola Gay flew as the advance weather reconnaissance aircraft that day.  A third B-29, The Great Artiste, flew as an observation aircraft on both missions.</p>
<p><em>Transferred from the United States Air Force.</em></p>
<p><strong>Manufacturer:</strong><br />
<a href="http://www.nasm.si.edu/collections/cons.cfm?id=1164" rel="nofollow">Boeing Aircraft Co.</a><br />
<a href="http://www.nasm.si.edu/collections/cons.cfm?id=15148" rel="nofollow">Martin Co., Omaha, Nebr.</a></p>
<p><strong>Date:</strong><br />
1945</p>
<p><strong>Country of Origin:</strong><br />
United States of America</p>
<p><strong>Dimensions:</strong><br />
Overall: 900 x 3020cm, 32580kg, 4300cm (29ft 6 5/16in. x 99ft 1in., 71825.9lb., 141ft 15/16in.)</p>
<p><strong>Materials:</strong><br />
Polished overall aluminum finish</p>
<p><strong>Physical Description:</strong><br />
Four-engine heavy bomber with semi-monoqoque fuselage and high-aspect ratio wings.  Polished aluminum finish overall, standard late-World War II Army Air Forces insignia on wings and aft fuselage and serial number on vertical fin; 509th Composite Group markings painted in black; &quot;Enola Gay&quot; in black, block letters on lower left nose.</p>
<p><strong>Steven F. Udvar-Hazy Center: Boeing B-29 Superfortress &#8220;Enola Gay&#8221;, with Lockheed P-38J-10-LO Lightning</strong><br />
<img alt="Sell Old 45 Records" src="http://farm3.staticflickr.com/2154/5779754956_e3b899c138.jpg" width="400"/><br/><br />
<i>Image by <a href="http://www.flickr.com/photos/9161595@N03/5779754956">Chris Devers</a></i><br />
Quoting <a href="http://www.nasm.si.edu/collections/artifact.cfm?id=A19600295000" rel="nofollow">Smithsonian National Air and Space Museum | Lockheed P-38J-10-LO Lightning </a>:</p>
<p>In the P-38 Lockheed engineer Clarence &quot;Kelly&quot; Johnson and his team of designers created one of the most successful twin-engine fighters ever flown by any nation.  From 1942 to 1945, U. S. Army Air Forces pilots flew P-38s over Europe, the Mediterranean, and the Pacific, and from the frozen Aleutian Islands to the sun-baked deserts of North Africa.  Lightning pilots in the Pacific theater downed more Japanese aircraft than pilots flying any other Allied warplane.</p>
<p>Maj. Richard I. Bong, America&#8217;s leading fighter ace, flew this P-38J-10-LO on April 16, 1945, at Wright Field, Ohio, to evaluate an experimental method of interconnecting the movement of the throttle and propeller control levers.  However, his right engine exploded in flight before he could conduct the experiment.</p>
<p><em>Transferred from the United States Air Force.</em></p>
<p><strong>Manufacturer:</strong><br />
<a href="http://www.nasm.si.edu/collections/cons.cfm?id=849" rel="nofollow">Lockheed Aircraft Company</a></p>
<p><strong>Date:</strong><br />
1943</p>
<p><strong>Country of Origin:</strong><br />
United States of America</p>
<p><strong>Dimensions:</strong><br />
Overall: 390 x 1170cm, 6345kg, 1580cm (12ft 9 9/16in. x 38ft 4 5/8in., 13988.2lb., 51ft 10 1/16in.)</p>
<p><strong>Materials:</strong><br />
All-metal</p>
<p><strong>Physical Description:</strong><br />
Twin-tail boom and twin-engine fighter; tricycle landing gear.</p>
<p> • • • • •</p>
<p>Quoting <a href="http://www.nasm.si.edu/collections/artifact.cfm?id=A19500100000" rel="nofollow">Smithsonian National Air and Space Museum | Boeing B-29 Superfortress &quot;Enola Gay&quot;</a>:</p>
<p>Boeing&#8217;s B-29 Superfortress was the most sophisticated propeller-driven bomber of World War II and the first bomber to house its crew in pressurized compartments. Although designed to fight in the European theater, the B-29 found its niche on the other side of the globe.  In the Pacific, B-29s delivered a variety of aerial weapons: conventional bombs, incendiary bombs, mines, and two nuclear weapons.</p>
<p>On August 6, 1945, this Martin-built B-29-45-MO dropped the first atomic weapon used in combat on Hiroshima, Japan.  Three days later, Bockscar (on display at the U.S. Air Force Museum near Dayton, Ohio) dropped a second atomic bomb on Nagasaki, Japan.  Enola Gay flew as the advance weather reconnaissance aircraft that day.  A third B-29, The Great Artiste, flew as an observation aircraft on both missions.</p>
<p><em>Transferred from the United States Air Force.</em></p>
<p><strong>Manufacturer:</strong><br />
<a href="http://www.nasm.si.edu/collections/cons.cfm?id=1164" rel="nofollow">Boeing Aircraft Co.</a><br />
<a href="http://www.nasm.si.edu/collections/cons.cfm?id=15148" rel="nofollow">Martin Co., Omaha, Nebr.</a></p>
<p><strong>Date:</strong><br />
1945</p>
<p><strong>Country of Origin:</strong><br />
United States of America</p>
<p><strong>Dimensions:</strong><br />
Overall: 900 x 3020cm, 32580kg, 4300cm (29ft 6 5/16in. x 99ft 1in., 71825.9lb., 141ft 15/16in.)</p>
<p><strong>Materials:</strong><br />
Polished overall aluminum finish</p>
<p><strong>Physical Description:</strong><br />
Four-engine heavy bomber with semi-monoqoque fuselage and high-aspect ratio wings.  Polished aluminum finish overall, standard late-World War II Army Air Forces insignia on wings and aft fuselage and serial number on vertical fin; 509th Composite Group markings painted in black; &quot;Enola Gay&quot; in black, block letters on lower left nose.</p>
<p><strong>Old School, New School</strong><br />
<img alt="Sell Old 45 Records" src="http://farm4.staticflickr.com/3015/2881804557_0ae38f90e5.jpg" width="400"/><br/><br />
<i>Image by <a href="http://www.flickr.com/photos/48889065425@N01/2881804557">andyi</a></i><br />
I think this setup is really quite charming. I&#8217;m not old enough to have grown up with a record player, but I&#8217;m old enough that my oldest sisters grew up with them. So I have memories of watching a record changer and enjoying that deeply tangible connection between the music, the disc it&#8217;s sold on, and the mechanism that plays it.</p>
<p>Song ends. Tone arm swings out, in, back out again, and then PLACK! The next record falls down onto the turn table. Tone arm swings back in, drops, and music resumes.</p>
<p>I&#8217;m also pleased by the juxtaposition. This shirt-pocketable iPhone is just as good as a bulky, mechanical record changer. Sure, its speaker might not be quite as big as the tabletop model. But the record player would have a hard time managing a tower of&#8230;what&#8230;2,000 45&#8242;s?</p>
<p>Still, I&#8217;d pay $ .99 for an iPhone hack that inserted a &quot;sss&#8230;PLACK!&quot; between tracks.</p>
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		<title>Economy thrives on older staff</title>
		<link>http://www.deadog.com/87/economy-thrives-on-older-staff/</link>
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		<pubDate>Tue, 31 Jan 2012 06:57:21 +0000</pubDate>
		<dc:creator>deadog</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Economy]]></category>
		<category><![CDATA[older]]></category>
		<category><![CDATA[staff]]></category>
		<category><![CDATA[thrives]]></category>

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		<description><![CDATA[Economy thrives on older staff &#34;Internationally, there is more recognition of their value in the sense that there&#39;s growing competition for their services, whereas Australia still has, for example, these archaic migration regulations restricting over-45s coming here to work. Read &#8230; <a href="http://www.deadog.com/87/economy-thrives-on-older-staff/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><strong>Economy thrives on <b>older</b> staff</strong><br />
&quot;Internationally, there is more recognition of their value in the sense that there&#39;s growing competition for their services, whereas Australia still has, for example, these archaic migration regulations restricting over-45s coming here to work.<br />
<i>Read more on <a rel="nofollow" href="http://www.theaustralian.com.au/business/economics/economy-thrives-on-older-staff/story-e6frg926-1226257716939">The Australian</a><br/><br/></i></p>
<p><strong>Lew <b>Price</b> and Tom &quot;Papa&quot; Ray on What Makes Records (Still) Vital</strong><br />
It was actually three 45s and a really cool folder of Roy Rogers. That was it. My uncle had bought me this little flip top record player that was basically made to play little 45s. I had to be eight or nine. I started buying records right after that.<br />
<i>Read more on <a rel="nofollow" href="http://blogs.riverfronttimes.com/rftmusic/2012/01/lew_price_and_tom_papa_ray.php">Riverfront Times (blog)</a><br/><br/></i></p>
<p><strong>Going swimmingly and beating some blue caps</strong><br />
As an old rugby mate goes past he gives me a sledge. “See you at the bar. Hope all the steaks are not gone by the time you old blokes get there.” By now the competitor in me is getting agitated at the under 45s and my mate in particular.<br />
<i>Read more on <a rel="nofollow" href="http://www.irishtimes.com/newspaper/sport/2012/0123/1224310624813.html">Irish Times</a><br/><br/></i></p>
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